APPLIED ACOUSTICS SYSTEMS STRINGSTUDIO Manual de usuario descargar pdf (Pagina 23)

4.2 The Edit View 23

parameter knob. Turning the modulation knob to the right has the opposite effect and increases the

value of the parameter for high notes while decreasing it for low notes.

The Vel modulation knobs are used to modulate the value of a parameter depending on the

velocity signal received from the keyboard so that the value of a parameter increases as notes are

played harder on the keyboard. The position of the knob is used to adjust the amount of modulation

applied to the parameter. In its leftmost position, the modulation source is turned off and the value

of the parameter does not vary with the velocity signal from the keyboard. Turning the knob

clockwise increases the effect of the modulation signal on the value of the parameter.

Modulations using the signal from the LFO and Env modules are controlled using the LFO and

Env gain knobs respectively. The amplitude of the modulation is zero when the knob is centered.

It is increased by moving it from its middle position clockwise or anti-clockwise. When turning it

anti-clockwise, the phase of the modulating signal is inverted while it is preserved when moving it

clockwise.

4.1.5 Synchronisation

The rate of the Arpeggiator, LFO and certain effect modules can be synchronized to the clock of

a host sequencer when the program in used in plug-in mode. To do so, simply turn on their Sync

switch. Synchronization values are adjusted with the Sync Rate parameter and range from 4 whole

notes (16 quarter notes) to a thirty-second note (1/8 of a quarter note) where the duration of the

whole note is determined by the host sequencer clock. The effect can also be synced to a triplet or

dotted note. To adjust this parameter, click on the Sync Rate button and choose a rate value from

the drop-down menu.

In standalone mode, when the Sync switch of an effect of module is switched on, the duration

of a whole note is adjusted using the Rate control of the Clock module on the Play view.

4.2 The Edit View

The different synthesis modules appear in this view. There is a total of ten modules organized into

four groups. One can switch from module to module by using the buttons located at the bottom of

the Edit view.

4.2.1 The String Module

In a string instrument most of the sound we hear is radiated from the body of the instrument. The

strings themselves radiate just a small amount of sound directly but it is their vibrations that are

transmitted to the body of the instrument, through the bridge, where they can be radiated efﬁciently.

It is also the strings that ﬁx the pitch of the sound we hear depending on their effective lengths.

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APPLIED ACOUSTICS SYSTEMS STRINGSTUDIO Manual de usuario Pagina 23